Explore Bushu Ju Masanori Saku Wakizashi: 17th Century Masterpiece

Could the subtle curves and formidable strength of a Japanese wakizashi, a sword crafted centuries ago, truly unlock a window into a vanished world of artistry and honor? The answer, as you'll soon discover, lies not just in the steel itself, but in the legacy of its maker and the meticulous context that surrounds it a legacy that stretches back a millennium and demands our attention.

The pursuit of understanding "Bushi Ju Masanori Saku" () leads us directly into the heart of Japanese swordmaking, a tradition steeped in ritual, skill, and the samurai ethos. To comprehend the significance of a sword bearing this inscription, we must first journey through the annals of time. We must navigate the history of the Edo period, the stylistic nuances of Shinto swords, and the unique contributions of the Masanori lineage. This is not simply about examining a blade; it is about engaging with a complete cultural experience.

For further in-depth information, you could explore resources at the Aoi Art Sword Museum., which is an authentic source.

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Let us consider the specific examples offered within the initial text. "Bid on bushu ju masanori saku,wakizashi shito, 17th c." and the subsequent description from Tenmoku Auctions Inc. 256 (April 13th) provide essential clues. The item for auction is a wakizashi, a shorter sword typically worn alongside a katana. The term "shinto" () clearly places it within the "New Sword" period (roughly 1596-1780), a time of stylistic evolution in Japanese swordmaking that followed the turbulent Sengoku period. The early Edo period, a time of relative peace, allowed for a refinement of swordmaking techniques and artistic expression. The auction listing itself, "Sold at auction by tenmoku auctions inc 256 on 13th april signed \u00f2bushu ju masanori saku\u00f3 japanese wakizashi shinto, 17th century, early edo period," serves as a critical data point, confirming the blade's attributed maker, period, and origin.

The descriptive details provided offer valuable insights into the sword's physical attributes. "Thick sturdy mune (back), boshi (curved edge) and pointy saki" speak to the blade's construction and intended functionality. The "mune," the spine of the sword, contributes to its overall strength and structural integrity. The "boshi," the temper line at the tip, reveals the skill of the swordsmith in achieving the proper hardening of the blade. The "saki," or the tip, is essential for thrusting and cutting, contributing to the sword's overall balance and effectiveness.

The mention of "Tightly fitted in the wooden scabbard and hand" further enhances the description. This emphasizes the care given to the blade's preservation and handling. The scabbard, or "saya," protects the blade, and the proper fit signifies the blade's importance and value. The handle, when well-fitted, contributes to the ease of use, comfort, and balance of the sword.

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The text also provides a glimpse into the broader world of swordmaking by listing several other swordsmiths: "Choshu hagi ju nanigashira saku 250 choshu hagi ju nobushige 239 choshu hagi ju nyudo rihei no jo nobuyuki 242 choshu hagi ju okada masahide saku 240 choshu hagi ju okamoto tomotsugu saku 259 choshu hagi ju tomotsune saku 256 choshu hagi ju tomoyoshi saku 258 choshu hagi ju yukimitsu saku kore 261 choshu hagi kanenobu 263 choshu inoue masataka." These names, each followed by a number, likely represent entries from a catalogue or auction list. They suggest the existence of a robust market for Japanese swords and a well-defined system of evaluation and documentation. The "Choshu" designation points to a specific regional tradition, further highlighting the geographical diversity of swordmaking in Japan. The presence of these other names underscores the importance of individual craftsmanship and the network of schools and masters that defined the art.

Furthermore, the mention of the "tang ubu with two holes" is crucial for the blade's authenticity. The "tang," or "nakago," is the portion of the blade that extends into the handle. "Ubu," meaning "original," signifies that the tang has not been altered or modified, preserving its historical integrity. The "two holes" are the "mekugi-ana," holes used to secure the handle (tsuka) to the tang with bamboo pegs (mekugi). The tang itself can tell us a great deal about the sword, including its age, maker, and any alterations it may have undergone during its lifespan. The condition of the tang, including its shape and the presence of the maker's signature, is essential for confirming its authenticity and value.

The reference to Akamatsu Masanori is particularly interesting. "This is a brother student with the famous akamatsu masanori, lord of harima, who was the second coming for the akamatsu in harima (see masanori below)." This provides a critical piece of context, linking the specific Masanori of the sword to a potential lineage or school of swordmaking. The Akamatsu family was an important Daimyo family, and their patronage would have had a significant impact on the artisans of the time. Such connections often increase the perceived importance of the sword and its potential value.

The "Tsuba & fittings menu toggle" and "Works of art menu toggle" likely refer to website navigation elements. They are reminders that the sword is not an isolated object but part of a broader artistic tradition, linked to other components like the tsuba (handguard) and other fittings such as the fuchi (collar), kashira (butt cap) and menuki (ornaments on the handle).

The description of the sword as "japanese wakizashi shinto, 17th century, early edo period" is a critical confirmation of the blade's classification. The wakizashi, as mentioned previously, is the shorter companion sword to the katana. The fact that it is a Shinto-era blade indicates it was forged in the post-Sengoku period, a time when swords were not primarily used for war but rather as symbols of status and artistic expression.

In conclusion, the seemingly simple phrase, "Bushi Ju Masanori Saku," becomes a point of entry into a complex and rewarding world. It necessitates an understanding of the art and history of Japanese swordmaking, the evolution of the techniques, and the social context in which these blades were crafted. The examination of a wakizashi such as this provides a window into an era of incredible craftsmanship and a deep appreciation for the values of honor, discipline, and artistry.